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William of Worcester's Chronicle of England
William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.
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Alphonse Legros is in Sculptors.
Letters of Dante Gabriel Rossetti 1863. 9th December 1863. 16 Cheyne Walk, Chelsea.
My dear Leathart (age 43),
The picture of Whistler's (age 29) which I mentioned was the unfinished Chinese one, since bought by Gambart (age 49) & which was, as I thought, the one about which you wished to know.
The Thames picture is still unsold, and on enquiring of Whistler I find its price is 300 guineas. It is the noblest of all the pictures he has done hitherto, and is the one for your collection.
regards Legros' works, I yesterday saw for the first time a picture he is doing now, of Hamlet in his mother's chamber, where he kills Polonius, about 20 inches by 15 I suppose in size, it may be rather more, and a truly admirable work, the finest he has done in London as yet. He intends to ask 45 guineas for it. It is so very cheap proportionately to the other that I am induced to mention it to you, since it is a work which will stand the proximity of anything whatever, being most full & luminous in colour, though, like all his work, low in tone.
With kind remembrances to Mrs. Leathart[8].
I remain my dear Leathart
Yours ever truly
D G Rossetti (age 35)
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Before 1880 Maria Terpsithea Cassavetti aka Zambaco (age 36) studied art at the Slade School of Art under Alphonse Legros and Auguste Rodin.