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Chronicle of Abbot Ralph of Coggeshall
The Chronicle of Abbot Ralph of Coggeshall (Chronicon Anglicanum) is an indispensable medieval history that brings to life centuries of English and European affairs through the eyes of a learned Cistercian monk. Ralph of Coggeshall, abbot of the Abbey of Coggeshall in Essex in the early 13th century, continued and expanded his community’s chronicle, documenting events from the Norman Conquest of 1066 into the tumultuous reign of King Henry III. Blending eyewitness testimony, careful compilation, and the monastic commitment to record-keeping, this chronicle offers a rare narrative of political intrigue, royal power struggles, and social upheaval in England and beyond. Ralph’s work captures the reigns of pivotal figures such as Richard I and King John, providing invaluable insights into their characters, decisions, and the forces that shaped medieval rule. More than a simple annal, Chronicon Anglicanum conveys the texture of medieval life and governance, making it a rich source for scholars and readers fascinated by English history, monastic authorship, and the shaping of the medieval world.
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Effigy of Hugh de Northwold, Bishop of Ely is in Monumental Effigies of Great Britain.
HUGH DE NORTHWOLD, Abbot of St. Edmundsbury, was consecrated Bishop of Ely in the year 1229 (14 Henry III.) He was a munificent restorer of his Cathedral Church, which he almost rebuilt from the foundation at the cost of upwards of five thousand pounds, a princely sum for the time in which he flourished. In the dark days of Christianity the pastors of the church exhibited noble ideas of the honour due to the Deity in the piles devoted to his worship, and a corresponding munificence in contributing to their construction. The rebuilding Ely Cathedral [Map] by Northwold occupied seventeen years, and he consecrated the new church in the presence of Henry III [aged 46] and Prince Edward [aged 14], whom he entertained (keeping at the same time "the hall," or open house to all comers) in his palace at Ely. The last mentioned edifice he also entirely rebuilt, and covered with a distinction of the most costly buildings in the middle age. He departed this life on the 9th of August 1254, thankful to Providence for having been allowed to see the completion of his cathedral, where he was interred in the middle of the presbytery. On the removal of the choir the situation of his effigy was changed, and it now lies on the altar tomb of Barnet, who died Bishop of Ely 1373. The niche which canopies the figure of Northwold is in the richest style of sculpture, the pillars are composed of interlacing foliage in scroll work, intermixed with heads of ecclesiastics and birds. At the top of the canopy are fragments of two angels. The sides are adorned with niches containing figures: these do not appear in the etching. The Bishop treads on a dragon and a lion, under both of which images the power of Satan is indicated in Holy Writ. The entablature at the foot of the tomb, delineated in the plate, represents the martyrdom of St. Edmund, King of the East Angles, who was shot to death with arrows by the Danes, A. D. 870. This piece of sculpture of course alludes to Northwold, as Abbot of Saint Edmundsbury.