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Chronicle of the Abbey of Evesham

The Chronicle of the Abbey of Evesham is a remarkable medieval history of one of England’s great Benedictine monasteries. Beginning with the abbey’s legendary and royal foundations, it traces the fortunes of Evesham through centuries of religious devotion, political conflict, legal struggle, rebuilding, reform, and royal patronage. At the heart of the chronicle is the abbey’s determination to defend its ancient liberties. Its monks record disputes with bishops, appeals to popes and papal legates, contested elections of abbots, lawsuits over lands and privileges, and the long struggle to preserve Evesham’s exemption from episcopal control. Alongside these institutional battles are vivid accounts of saints and miracles, including St Ecgwine, St Odulf and the royal martyr St Wistan, whose relics and cult formed an important part of the abbey’s identity. The chronicle also preserves a wealth of detail about everyday monastic life. It describes the building and repair of churches, cloisters, chapels, halls, mills, granges and fishponds; the acquisition of estates and revenues; the making of vestments, shrines, bells and liturgical books; and the provision of food, clothing, recreation and medical care for the monks. Successive abbots emerge not merely as religious superiors but as administrators, builders, patrons, diplomats and defenders of the community. Extending into the later Middle Ages, the narrative reflects the changing political world around Evesham, from the Norman Conquest and the Angevin kings to the Wars of the Roses and the reign of Henry VIII. The result is both a history of a single monastery and a richly detailed record of medieval English religious, legal, economic and political life. This edition offers modern readers direct access to one of the most important monastic chronicles of medieval England, revealing how the monks of Evesham understood their saints, their privileges, their rulers and their place in history.

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Life of Edmond Malone

Life of Edmond Malone is in Victorian Books.

Sir Joshua Reynolds was born at Plympton in Devonshire, in 1723. One of the first portraits be ever painted is in the possession of a Mr. Hamilton, nephew to Lord Abercom. As he himself told me, when about the age of nineteen or twenty, he became very careless about his profession, and lived for near three years at Plymouth in a great deal of dissipation with but indifferent company, at least such company as from whom no improvement could be gained. He now much laments the loss of these three years. However, he saw his error in time, and sat down seriously to his art about the year 1743 or 1744. Soon afterwards he painted the portrait above-mentioned, Captain Hamilton being a naval oflScer who married the present Lord Eliot's mother.

[18th December 1755]. Captain Hamilton [aged 41] was a very uncommon character; very obstinate, very whimsical, very pious, a rigid disciplinarian, yet very kind to his men. He lost his life as he was proceeding from his ship to land at Plymouth. The wind and sea were extremely high, and his officers remonstrated against the imprudence of venturing in a boat where the danger seemed imminent. But he was impatient to see his wife, and would not be persuaded. In a few minutes after he left the ship, the boat was upset and turned keel upward. The captain being a good swimmer, trusted to his skill, and would not accept of a place on the keel in order to make room for others, and then clung to the edge of the boat. Unluckily he had kept on his greatcoat. At length, seeming exhausted, those on the keel exhorted him to take a place beside them, and he attempted to throw off the coat, but finding his strength fail, told the men he must yield to his fate and soon afterwards sank while singing a psalm. — (From Lord Eliot.)